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Festival for emerging artists in Calgary this week.
Director Erin Watson told she got the idea when she and her co-creator were frustrated with the dating field.
The band, which recalls '60s girl group sounds with '90s distorted haze, understands the power in not taking yourself so seriously — that energy is reserved for recording. Miriam Devora: We all met through the internet, which happens more and more now. I think, initially, I was really just thinking, “I want to play on my own, like a backing band that plays with me whenever I play live.” It turned into something more because we all really had a connection. We stopped [playing] and then got to a point where we both wanted to get back into it.
We caught up with Queen of Jeans’ frontwoman Miriam Devora and bassist Nina Scotto at Boot & Saddle in their native South Philly to talk about solo projects and band aspirations, questionable landmarks, Phil Spector and songwriting. It’s sort of like online dating — there’s online musicians “dating” because you’re always trying to find that perfect person to work with. Nina, our bassist, and Mattie [Glass], our lead guitarist, they met first, and then I met Mattie. Then we had to find a drummer, and that took six months of serial dating. MD: We all met on the premise of jamming and writing music together. We talked about it for weeks, and then we made a weekly appointment where we’d get together and play in my attic. King of Jeans hasn’t been open for years and years, but the sign was still there because it was so big, they didn’t know how to take it down.
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Digital technology and smartphones in particular have transformed many aspects of our society, including how people seek out and establish romantic relationships.
The people who are from around here get it, which is what’s important. We started in January and we were recording by the summer. That’s surprising because it’s a good collection of songs.
It was this dude leaning over and making out with this girl who was on her knees. Finally, out of nowhere, they were taking this sign down and everyone in South Philly was freaking out, posting on Facebook about taking this sign down; and then as a joke we were like, “Let’s be Queen of Jeans,” and it stuck. We played them for a long time before we had it recorded.
Jacob was single for two years and then, at 26, began dating a slightly older woman who soon moved in with him.
She seemed independent and low-maintenance, important traits for Jacob.
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It’s a really exciting time to be a Philly band — it seems like eyes are on this place now more than ever. I don’t think it reflects in my songwriting or anything like that. NS: We’ve gotten a lot of support from Philly-centric media. There’s a really incredible community of Philadelphia-based musicians. Here, everyone kind of knows each other and offers each other shows. When people write and talk about your band, they always mention your '60s girl group influence. Are you weary of wearing your influences on your sleeve? I do like to sit down with my guitar and just play all the time.